Nineteenth Century Art a Critical History 4th Edition Pdf
Nineteenth Century Art : A Disquisitional History (Fourth edition)
Clarification
Nineteenth Century Art: A Critical History, hailed as 'ane of the most engrossing and stimulating art history texts to come forth for years' by The Times College Education Supplement, embraces many aspects of the so-called 'new' fine art history - attention to bug of form and gender, reception and spectatorship, racism and Eurocentrism, popular and elite culture - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. This new 4th edition includes iv revised capacity together with a substantially expanded chapter on 'Photography, Modernity and Art'. With 245 illustrations now in colour, including over a dozen make new images, this rich and diverse book will interest students, specialists and anyone fascinated by this dynamic period.
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Product details
- Paperback | 500 pages
- 216 10 270 ten 35mm | ane,920g
- 04 Jul 2011
- Thames & Hudson Ltd
- London, Uk
- English
- Revised
- Fourth edition
- 265 Illustrations, blackness and white; 245 Illustrations, color
- 0500289247
- 9780500289242
- 331,477
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Back cover copy
This is a radical reconsideration of the origins of modern painting and sculpture in Europe and North America. In art, as in near every other field, the nineteenth century was a time of questioning, experimentation, discovery and modernization. Artists divined and portrayed, equally never before, the crucial connections between seeing and knowing, vision and society. From Goya to Blake, from Courbet to Eakins, from Cassatt to Cezanne, from Van Gogh to Ensor, they challenged the prevailing definitions of art and the social guild. Nineteenth Century Art: A Disquisitional History embraces many aspects of the so-chosen "new" art history - attention to issues of grade and gender, reception and spectatorship, racism and Eurocentrism - while emphasizing the remarkable vitality, salience and subversiveness of the era'south best art. Indeed, the authors insist that in that location is a profound sympathy between these new methods and the art nether examination. For it was nineteenth-century artists who first addressed the problems that preoccupy audiences and scholars today: the relation betwixt popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of women and non-European peoples. This rich and various volume suggests that nineteenth-century art remains compelling today because its critical insights have rarely been surpassed. It will show of interest not only to the specialist, simply to anyone fascinated past the art, history and civilization of this unique era.
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Table of contents
Introduction: Critical Art and History Classicism and Romanticism 1 Thomas Crow Patriotism and Virtue: David to the Young Ingres ii Thomas Crow Classicism in Crisis: Gros to Delacroix 3 The Tensions of Enlightenment: Goya 4 Brian Lukacher Visionary History Painting: Blake and his Contemporaries 5 Brian Lukacher Nature and History in English Romantic Mural Painting 6 Brian Lukacher Mural Art and Romantic Nationalism in Germany and America 7 Brian Lukacher Compages Unshackled 1790 - 1851 New World Frontiers 8 Frances K. Pohl Old Earth, New World: The Encounter of Cultures on the American Borderland 9 Frances K. Pohl Black and White in America Realism and Naturalism 10 The generation of 1830 and the Crisis in the Public Sphere xi The Rhetoric of Realism: Courbet and the Origins of the Avant-Garde 12 David Llewellyn Phillips Photography, Modernity and Fine art xiii The Decline of History Painting: Germany, Italian republic, French republic and Russian federation Mod Art and Life 14 Architecture and Design in the Age of Manufacture 15 Manet and the Impressionists 16 Linda Nochlin Issues of Gender in Cassatt and Eakins 17 Mass Culture and Utopia: Seurat and Neoimprerssionism xviii The Appeal of Modern Fine art: Toulouse-Lautrec xix Brainchild and Populism: Van Gogh 20 Symbolism and the Dialectics of Retreat 21 The Failure and Success of Cezanne Chronology * Select Bibliography * List of Illustrations * Index
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Review quote
'We emerge from the book with our appreciation of its visual discipline matter immeasurably enriched' - London Review of Books 'Essential reading...[it] will help to re-define the shifting boundaries of the art-historical survey' - Guardian 'It should exist compulsory reading' - Art Book Review Quarterly 'Relevant, instructive and exhaustive ... combines essential facts, useful examples, accurate instance studies for newcomers and advanced readers. ... For academy and public libraries, these ii books are essential' - Cassone
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About Stephen F. Eisenman
Stephen F. Eisenman is Professor of Art History at Northwestern University. He is the
author of The Temptation of Saint Redon and Gauguin'due south Skirt, and has curated numerous
exhibitions, including Pattern in the Historic period of Darwin, The Environmental of Impressionism and
William Blake in the Age of Aquarius. He conceived and edited this volume, and is its
principal writer. Thomas Crow is Professor of Art History at the Constitute of Fine Arts, New York University.
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Source: https://www.bookdepository.com/Nineteenth-Century-Art-Stephen-F-Eisenman/9780500289242